
One of my favorite subjects is the euphoria of fads.
As an academic, broadcaster and writer for the NME, The Face etc I have always written about those fascinating particles of pop culture that flare up and then recede. (Anyone interested in a longer study of a fad might like my essay on
The Zoot Suit which was written for the British Academy and The Smithsonian.
Some of you will remember that I posted a polemic months back,
Twitter – the Teasmaid of Technology which probed away at the micro-blogging tool Twitter. It was knowingly blasphemous most fads provoke an almost religious zeal in participants and to even to use the word fad is to invite scorn.
Across time I’ve identified that there are seven deadly signs of a popular fad and that Twitter corresponds with all seven:
• Fads must be by their nature ephemeral.
• Fads always touch a basic human and are proxies for something more important
• Fads must evince their own language.
• Fads usually have a strong element of play, display or behavioral narcissism
• Fads often attach themselves to sub-cultures or pre-ordained tribes
• Fads usually provoke a ‘blame and claim’ matrix
• Fads attract investment value which is always hard to sustain long term.
Twitter is ephemeral but it undoubtedly touches a very basic human need – micro-communication - and in many ways is a technological variation of the numerous short-form communications that society has used in the past, from the shopping-list to one of the great corporate innovations, the post-it note. Twitter also has a strong element of playfulness, the bird-like name and brand livery are cleverly infantile. Like Morse code, CB Radio and SMS text messaging Twitter has already established its own language. For its predecesor in real-time communciation, the CB Radio and its promotional TV show,
The Dukes of Hazard a key word was “handle” for Twitter it is “tweets” and "twitterrific". As for behavioral narcissism, the very idea that people might ‘follow’ you, and be ‘fascinated’ by the minutiae of your day is one of the greatest gestures to self-love since the invention of the decorative hand-mirror in Victorian England.
The word fad has been so denigrated and discounted over decades that some will undoubtedly argue that Twitter is not a fad and that its ephemeral nature masks a deeper public purpose. That too is one of the subtle dynamics of the fad and its acoytes. Twitter took off in a musical context as a band recommendation tool at the Festival, South by Southwest, but like many musical fads before, Twitter broke out from the rock ghetto. The Twist dance-craze had similar origins and the same self-defensive mechanism. It was pioneered not in Silicon Valley but at the Peppermint Lounge by Joey Dee and was ‘endorsed’ by numerous celebrities, some with more cache than Twitter’s Stephen Fry. The most famous twist aficionado Jackie Kennedy famously claimed that the dance helped her “keep fit”. Notice it was not to have a good time, or be looked at in a nightclub but to “keep fit”.
Twitter is a technology for casual intra-communication but it has been elevated to a tool that “saves lives”. So far it has been there like a guardian angel at Mumbai, the Hudson River and on every cascading mountain, applying artificial resuscitation to the dying. This desire to attribute meaning, and substance is an understandable human anxiety: when we fear being vacuous, wasting our time or worse still simple enjoying ourselves, there is a tendency to search for a more purposeful explanations. This is one of the great paradoxes of the fad. Confronted with the vacuity of my hobby for Northern Soul I often go into long detours talking about the civil rights movement in the 60s. Even the linked essay on Zoot Suits seeks to connect a fashion item to social protest and resistance. It seems we are uncomfortable with vacuity.
The conclusive evidence that Twitter is a fad which is enjoying a brief euphoria, is to be found in the last two signs in the list of seven, ‘the blame and claim matrix’ and ‘unsustainable long term investment paradigm.’
Rather than wrestle with their complexity now I will address them in Parts 2 and 3 of
The Frenzy of Fads. I have to go now I have something much more trivial to deal with.
To be continued.
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